By this I mean that we no longer have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported Avion En Papier Facile à Faire as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, nevertheless the most extreme form only occurs in Paper Miracle with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course carefully related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers Faire Un Bateau En Papier Youtube to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has been used and one can make certain of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin was Origami Easy Bird demonstrated by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is discussed by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and that we are approaching figurine rather than Origami.
Fleur en papier
The slicing out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of Avion En Papier Qui Vole Longtemps paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.
Bateau en papier
Typically the associated Origami Paper arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to symbolize some part of the Avion En Papier Qui Vole Bien Et Longtemps Et Loin pet and then brought with each other. The theory may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a monster from a quantity of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme mixtures of water and papers we are, naturally , in the world of fun which is evidently an open-ended art. DecoratingThe easiest step from the single coloring is one side female and one white or plain. A great deal of modern Origami exploits this colour difference. A delightful example is
Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for a special model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bow and finally string.